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In Colour Calligraphy II, Singapore master Lim Tze Peng moves beyond the conventions of traditional calligraphy and enters a space where writing becomes abstraction, and abstraction becomes emotion.


Created in 2010, this work reflects a period in the artist’s later practice where his brushwork became increasingly liberated — less concerned with form, and more devoted to rhythm, energy, and inner expression.


At first glance, the composition appears spontaneous, almost instinctive. Yet beneath its expressive surface lies decades of discipline, calligraphic structure, and a profound understanding of balance.


The powerful black ink lines move across the paper with urgency and conviction, while the warm earth-toned colour breathes through the composition like memory, warmth, and time itself.


This is not a work that asks to be read.

It asks to be felt.


For collectors, works such as Colour Calligraphy II occupy a particularly compelling place within Lim Tze Peng’s artistic journey. They sit between tradition and modernity — rooted in classical Chinese ink practice, yet undeniably contemporary in visual language.


It is in this space that many important works find their lasting relevance.


Its horizontal format creates a strong architectural presence, allowing the piece to command space while remaining deeply contemplative. Whether placed in a private residence, a collector’s study, or a curated corporate setting, it carries both energy and quiet sophistication.


What makes this work especially meaningful is its rarity within Lim Tze Peng’s wider body of work.

While his heritage landscapes are widely recognised, his abstract calligraphic explorations reveal a more intimate side of the artist — one where gesture, instinct, and spirit take precedence over representation.


For the discerning collector, this is where the artist becomes most direct.


Colour Calligraphy II is not merely an artwork to be viewed, but one to live with — a piece that unfolds gradually, offering new rhythms, tensions, and moments of stillness over time.


For collectors who value works that bridge cultural tradition and contemporary abstraction, this is a piece of quiet strength and enduring presence.


Available for private acquisition.

Calligraphy & Abstract Ink 书法与抽象水墨

书法
Colour Calligraphy II

Chinese Ink and Colour on Rice Paper

2010

680 x 1380 mm

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